Cheetah
Tell him I said 'hi' and 'screw you.'
So, I've been dwelling on writing out a decent-sized (probably close to 25-30 chapters) fic. It's my first time writing for the fandom, but I'm very familiar with my source material. Moreover, I've been thinking out some of the details for nearly a year, so I've had plenty of time to weed out most of the ideas that go against canon or a semi-realistic scenario.
Unfortunately, I keep second- and third-guessing my work. It's so bad that I'll freeze up in the middle of writing my first drafts.
- I had a (admittedly sketchy) timeline, but I pitched it when I thought I'd been jossed. I'm still kind of toeing the line there, but nothing's been totally disproven yet.
- The character the story focuses on is known for being difficult to get right. I've seen a couple writers that have him down-pat, but I've also seen a few that are way off. Put simply, I'm nervous about making sure he sounds like himself.
- I'm writing at least one OC, the most important one playing the role of adopted mother and mentor. The others, while not absolutely necessary, are largely there toteach the main character about the importance of family add some flavour to the story. I know that too many useless characters in the background detract from a story, but at the same time, I can't help but feel that sticking two characters in the same house for 15-odd years with a few other canon characters sprinkled in between chapters would be the most boring existence ever.
For whatever combination of these reasons, I get nervous as hell when I put my pencil to my notebook and try to write out my first draft. I'm always worried that someone will look over my shoulder and tug at some overlooked thread that tears the whole story apart. When I type scenes out, I'm always double-checking the flow of my paragraphs. I try to imagine the characters actually saying the lines I write for them; if they don't sound right, they're axed. On top of that, I'm very worried about my OC characterisation - the characters I've created can cross the line into Mary-Sue territory very quickly if I'm not careful about how I use them.
Am I setting my standards for myself too high?
Unfortunately, I keep second- and third-guessing my work. It's so bad that I'll freeze up in the middle of writing my first drafts.
- I had a (admittedly sketchy) timeline, but I pitched it when I thought I'd been jossed. I'm still kind of toeing the line there, but nothing's been totally disproven yet.
- The character the story focuses on is known for being difficult to get right. I've seen a couple writers that have him down-pat, but I've also seen a few that are way off. Put simply, I'm nervous about making sure he sounds like himself.
- I'm writing at least one OC, the most important one playing the role of adopted mother and mentor. The others, while not absolutely necessary, are largely there to
For whatever combination of these reasons, I get nervous as hell when I put my pencil to my notebook and try to write out my first draft. I'm always worried that someone will look over my shoulder and tug at some overlooked thread that tears the whole story apart. When I type scenes out, I'm always double-checking the flow of my paragraphs. I try to imagine the characters actually saying the lines I write for them; if they don't sound right, they're axed. On top of that, I'm very worried about my OC characterisation - the characters I've created can cross the line into Mary-Sue territory very quickly if I'm not careful about how I use them.
Am I setting my standards for myself too high?