I suppose the people were noticed, but the police already knew about them, so it didn't make much difference?
But if that was the case, why was the first thing Sherlock asked them after solving the mysteries always an urgent "Where are you?"? Hardly necessary if the police already knew about them. Further, the police could then have tried to catch the sniper instead of relying on Sherlock solving the puzzle.
The person standing in the street was covered by a jacket, and I suppose people wouldn't linger around him long enough to realise there are wires or something
Mm, I don't know. Thing is, he was completely hysterical - if I were walking on the street and saw somebody looking
that distraught talking on the phone, I would definitely at least briefly stop to listen to what he's talking about.
Sherlock is totally asexual. So is Moriarty, because he's too BARKING MAD to feel anything recognizable as romantic attraction. I like my asexuals.
Can't pick between A Study in Pink and The Great Game as my favourite. TGG was intense and had mega!action scenes, but ASiP had them going on a date and being wonderfully adorable.
Yeah, same. Both have bits that are
amazing; I think overall I liked the plot of A Study in Pink better (The Great Game was a bit of a patchwork of mini-plots and
really hard to follow when you're not a native English speaker and have no subtitles to follow along with Sherlock's insanely fast speeches), but The Great Game seems to go out of its way to press all my instalove buttons, what with featuring a bunch of people fearing desperately for their lives, one of them being Watson, and that bit where Watson collapses on the ground after the bomb vest is off which is waaaay up there with my favorite scenes in anything ever. Also Moriarty. I like Moriarty. He's so BARKING MAD.
The Blind Banker wasn't as good what with being really awkwardly Yellow Peril-ish (and including the silly plot point of Watson randomly leaving Soo Lin behind just so she could get murdered in the background), but it did have Watson being threatened with a gun, and I really enjoyed the setup of all the "Watson is Holmes" details that came together in that bit, so.
Speaking of the end (I'm assuming we don't need spoiler tags?), OMGOMGOMG THAT CLIFFHANGER AAAAAAAHHHHHH. Evil, pure evil. But we did get "you ripping my clothes off in a darkened swimming pool", and THAT MOMENT when Sherlock sees John and thinks he's Moriarty. SO GOOD. Sends my heard a-flutter every time.
Ditto to all that.
And the BLINKING S.O.S. AAAAAHHHH. (here if you haven't noticed/had it pointed out).
OHGOD WHAT I NEVER NOTICED THAT. THAT IS AMAZING. IT DESERVES PERMACAPS. AAAAAAAAAA <3
Hound of the Baskervilles would probably be fun! Though it does suffer from the disadvantage of being the only Sherlock Holmes story I've actually read (lame, I know), which might mean making it predictable, I guess? Not that I know how much that hurts with this adaptation exactly. Otherwise, I'd love to see more of Lestrade as well. Also, Watson needs to get captured and threatened more. (Well, I suppose
more isn't exactly necessary what with it happening in two out of three episodes so far, but they should definitely keep up the trend.)
Tbh I sorta wanna see a comeback of werewolf!vampire!Sherlock. But I also hope we don't see that. ... But I really do. ; ; I'm so torn. There are a lot of things from the pilot I want to see; drunk Sherlock and John realizing what's going wrong, for example.
What? Is this is the unaired pilot I heard was on the DVD? o.o
Sherlock disguising himself as a woman would be amazing. Benedict Cumberbatch could totally pull it off.