Weeeeell I might have a
tiny weakness for one-sided Light/Matsuda (the one-sidedness obviously coming from Matsuda) and I think I read a Misa/Sayu once, but the Big Fandom Pairings like Light/L and Matt/Mello never really appealed to me for some reason.
I think it would've been cool if Near or Mello were a girl, especially since they were supposed to be complete opposites. And everyone I know thought Mello was a girl when they first saw him anyway X3
I guess the thing that annoys me is that every single female character in Death Note is used as a means to an end by a male; Light uses and manipulates Misa, Takada, Rem, Naomi and, apparently, his slew of admiring fans (like the one he went on the bus with when he killed the busjacker), Wedy is used by L and the Detectives, Sayu is used by Mello, the woman whose name escapes me from Near's team who becomes one of Takada's bodyguards is used by Near; I realize there are tons of males who get used and manipulated, too (but not
every single one of them), but it's almost always because of misguided loyalty or a desire for power; never because they're hopelessly, irrationally in love.
Mini non-DN-related rant: It really bugs me that cool foreign things have to be Americanised before people
en masse can see them. A Tale of Two Sisters, for example, is an absolutely amazing film that absolutely does not need to be remade for any reason.
And it's one thing to remake something in a different language, I guess, if only because some people just have serious issues with subtitles (though you could just dub it rather than remake it), but when companies start making things like The Office (US Version) and Queer as Folk (US Version) it just really gets on my nerves. Heaven forbid people might actually learn something about a culture outside their own!
Light is fantastically interesting and not a sociopath at all; I absolutely adore this analysis because Plato is awesome and I love him:
First we have the Platonic "Gyges' Ring" scenario--in a discourse in Plato's Republic, the integrity of mortal justice is questions and sequentially deemed fundamentally flawed by sinful, finite capacity of man and their deeply ruooted sense of pride and self-righteousness. The lead character Light is the incarnation of this discourse, a once seemingly flawless character driven to obsession over the notion of becoming like a god.
(from
here)
It's
deep, man.